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Discover the Ladies of Eighteenth Century London

From Harris's Covent Garden Ladies (1761-1794)

[1783 Edition] Miss Br--n. Vauxhall Walk, Lambeth.
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Behold the female pedant in her school, How smooth her brow, yet absolute her rule; The aged boy well pleas'd admires the rod, Smiles at its pain, and stiles it birchen god.
The word sympathy, no doubt acts very powerfully upon the sensible mind; but can any sympathetic pleasure be derived, when the cause we apply to produce that effect in others, would operate in a direct opposite manner on ourselves? I should imagine not; but we will leave that matter to be decided by Miss Br--n, who for some few years has practised the flogging art with great success; can rouze the loitering Venus in their veins with peculiar dexterity, and can convert old, decrepid, inanimate mortals, into children, with astonishing magical tenderness. How horridly repugnant to human nature; how contradictory to virility, to see a man, who to judge of by external appearances, had scarcely passed the meridian of life, undergoing the birchen discipline of a school-boy, by the hand of a sprightly girl of twenty, whom youth might call his daughter, is a sight too disgusting to nature to last long. But this is not her sole support; she loves the close warm embrace, and handles the living rod with as much skill, or more, than the dead one, and places it in a very opposite direction, bathing him in the choicest gifts of nature, till worn less with fatigue, he is obliged to quit the luscious banquet. She is a true Brunette, remarkably lively, chatty, and shews a deal of good sense in conversation; very black love-speaking eyes, breasts replete with en bon point, which swell forth in all the lusciousness of full fraught womanhood, and never fail by gentle swellings and recedings, to tell the visitor of the Cyprian grotto, that every thing is ready for his receptance; and if her lover should chance to leave two guineas behind him in the morning, although her honesty, generosity, or good nature was never doubted, its two to one if ever she returns them.
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Images: Portrait of a Lady - Jean-Marc Nattier (1738), Noon - William Hogarth (1738), Vauxhall Gardens - Thomas Rowlandson (1785)
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#18thcentury #c18 #vauxhall #georgianera #1700s

[1783 Edition] Miss Br--n. Vauxhall Walk, Lambeth.
-----
Behold the female pedant in her school, How smooth her brow, yet absolute her rule; The aged boy well pleas'd admires the rod, Smiles at its pain, and stiles it birchen god.
The word sympathy, no doubt acts very powerfully upon the sensible mind; but can any sympathetic pleasure be derived, when the cause we apply to produce that effect in others, would operate in a direct opposite manner on ourselves? I should imagine not; but we will leave that matter to be decided by Miss Br--n, who for some few years has practised the flogging art with great success; can rouze the loitering Venus in their veins with peculiar dexterity, and can convert old, decrepid, inanimate mortals, into children, with astonishing magical tenderness. How horridly repugnant to human nature; how contradictory to virility, to see a man, who to judge of by external appearances, had scarcely passed the meridian of life, undergoing the birchen discipline of a school-boy, by the hand of a sprightly girl of twenty, whom youth might call his daughter, is a sight too disgusting to nature to last long. But this is not her sole support; she loves the close warm embrace, and handles the living rod with as much skill, or more, than the dead one, and places it in a very opposite direction, bathing him in the choicest gifts of nature, till worn less with fatigue, he is obliged to quit the luscious banquet. She is a true Brunette, remarkably lively, chatty, and shews a deal of good sense in conversation; very black love-speaking eyes, breasts replete with en bon point, which swell forth in all the lusciousness of full fraught womanhood, and never fail by gentle swellings and recedings, to tell the visitor of the Cyprian grotto, that every thing is ready for his receptance; and if her lover should chance to leave two guineas behind him in the morning, although her honesty, generosity, or good nature was never doubted, its two to one if ever she returns them.
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Images: Portrait of a Lady - Jean-Marc Nattier (1738), Noon - William Hogarth (1738), Vauxhall Gardens - Thomas Rowlandson (1785)
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#18thcentury #c18 #vauxhall #georgianera #1700s

[1779 Edition] Miss W--k-ns-n, No. 1, Princes Court, George Street.
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It is now about four years since we first knew this lady, who then lived in that place so notoriously celebrated yclep'd Cumberland-court, and was in very little estimation, as she was never possessed of much beauty; yet she has ever since had the good fortune to be scarcely ever without a keeper, and is now supported by no less a man than the ambassador from a certain northern power, which has plenty of copper and iron ore, but very little gold dust. His allowance to her is scanty even to meanness, considering his rank; but however, she makes herself amends by the means of a few occasional visitors, who are admitted to feast on her charms; besides which, she has a stallion in full pay, to make her leisure hours agreeable; for as she is particularly fond of the sport, she is determined to please her inclination regardless of risques, let it cost what it will. Her skin is neither fair nor brown but inclining to sallow; she has a good leg and an excellent eyebrow, which are the only exterior parts that we can praise with truth;--she is good-natured, and is about twenty-two or three.
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Images: Portrait of a Woman – Pompeo Batoni (1785), École de danse –
Niclas II Lafrensen (1785), Baron Gustav Adam von Nolcken (1733–1813) – John Downman (1780)
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#georgianera #18thcentury #coventgardenladies #angloswedish

[1779 Edition] Miss W--k-ns-n, No. 1, Princes Court, George Street.
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It is now about four years since we first knew this lady, who then lived in that place so notoriously celebrated yclep'd Cumberland-court, and was in very little estimation, as she was never possessed of much beauty; yet she has ever since had the good fortune to be scarcely ever without a keeper, and is now supported by no less a man than the ambassador from a certain northern power, which has plenty of copper and iron ore, but very little gold dust. His allowance to her is scanty even to meanness, considering his rank; but however, she makes herself amends by the means of a few occasional visitors, who are admitted to feast on her charms; besides which, she has a stallion in full pay, to make her leisure hours agreeable; for as she is particularly fond of the sport, she is determined to please her inclination regardless of risques, let it cost what it will. Her skin is neither fair nor brown but inclining to sallow; she has a good leg and an excellent eyebrow, which are the only exterior parts that we can praise with truth;--she is good-natured, and is about twenty-two or three.
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Images: Portrait of a Woman – Pompeo Batoni (1785), École de danse –
Niclas II Lafrensen (1785), Baron Gustav Adam von Nolcken (1733–1813) – John Downman (1780)
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#georgianera #18thcentury #coventgardenladies #angloswedish

[1773 Edition] Mrs. H-m-lt-n, alias Lady R-se-ll, New Buildings, Oxford Road.
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A labyrinth where fools are lost.
This lady is the daughter of General Prideaux, and born in wedlock. -- Her education was equal to her birth, but her pride even now above it. She has lived with several since her elopement. Mr. H-m-lt-n (known for distinction by the name of Splint) kept her a long while, since whom the public have enjoyed her. Not long since young Lord Rosehill, eldest son of the Earl of Northesk, became enamoured of her, and the kind creature followed him with his misfortunes to the King's-Bench, where he was confined sometime for debt.
She is short, round-faced, and plump; her eyes sore and disgustful; her skin, indeed, good, but pock-marked; her hair blond; her countenance always with a frown on--unless perhaps when she puts on her holiday looks, which we, who have known her a long time, never remember her to have worn. She used to be a great crony with Charlotte Spencer.
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Images: Portrait of Sarah Harrop (Mrs. Bates) as a Muse - Angelica Kauffmann (1780-1), A Scene from 'The Beggar's Opera' VI – William Hogarth (1731), HLMP2/009 – Gibraltar Ministry for Heritage, Portrait of William Carnegie, 7th Earl of Northesk – Thomas Phillips (1805), Portrait of the Duke of Devonshire – Pompeo Batoni (1768)
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#18thcentury #c18 #dukeofdevonshire #theduchess #18thcenturylondon #bridgerton

[1773 Edition] Mrs. H-m-lt-n, alias Lady R-se-ll, New Buildings, Oxford Road.
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A labyrinth where fools are lost.
This lady is the daughter of General Prideaux, and born in wedlock. -- Her education was equal to her birth, but her pride even now above it. She has lived with several since her elopement. Mr. H-m-lt-n (known for distinction by the name of Splint) kept her a long while, since whom the public have enjoyed her. Not long since young Lord Rosehill, eldest son of the Earl of Northesk, became enamoured of her, and the kind creature followed him with his misfortunes to the King's-Bench, where he was confined sometime for debt.
She is short, round-faced, and plump; her eyes sore and disgustful; her skin, indeed, good, but pock-marked; her hair blond; her countenance always with a frown on--unless perhaps when she puts on her holiday looks, which we, who have known her a long time, never remember her to have worn. She used to be a great crony with Charlotte Spencer.
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Images: Portrait of Sarah Harrop (Mrs. Bates) as a Muse - Angelica Kauffmann (1780-1), A Scene from 'The Beggar's Opera' VI – William Hogarth (1731), HLMP2/009 – Gibraltar Ministry for Heritage, Portrait of William Carnegie, 7th Earl of Northesk – Thomas Phillips (1805), Portrait of the Duke of Devonshire – Pompeo Batoni (1768)
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#18thcentury #c18 #dukeofdevonshire #theduchess #18thcenturylondon #bridgerton

[1765 Edition] Miss W-tkins-n, Long Ditch, Westminster
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May serve as a foil to set off the beauty of others. --- She is a short, squab wench, and seems by nature rather intended for a procuress, than one of the votaries of Venus; yet, strange to tell, she was not long ago catch’d in a very indecent posture with a handsome young fellow in St. James’s Park. This occasioned her being sent to Bridewell; but as she never visited that place but once, she is still admitted upon an honourable footing in the Whore’s Club; where, by her vociferation and impudence, she maintains a superiority which is by no means her due. She drinks strong waters like small beer, which is partly the cause that her breath is none of the most fragrant. She was born in Wapping, and had often declared, that she was first robbed of that inestimable jewel, her Virtue, by a rogue of a sailor, who imposed upon her by a promise of marriage.
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Images: Young Peasant Woman Holding a Wine Flask – Giacomo Ceruti (1737), Beer Street - William Hogarth (1751), Bridewell Hospital: a corner of a courtyard – Thomas H. Shepherd (1822)
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#18thcentury #18c #bridewell #18thcenturyhistory #londonhistory #london #bridgerton

[1765 Edition] Miss W-tkins-n, Long Ditch, Westminster
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May serve as a foil to set off the beauty of others. --- She is a short, squab wench, and seems by nature rather intended for a procuress, than one of the votaries of Venus; yet, strange to tell, she was not long ago catch’d in a very indecent posture with a handsome young fellow in St. James’s Park. This occasioned her being sent to Bridewell; but as she never visited that place but once, she is still admitted upon an honourable footing in the Whore’s Club; where, by her vociferation and impudence, she maintains a superiority which is by no means her due. She drinks strong waters like small beer, which is partly the cause that her breath is none of the most fragrant. She was born in Wapping, and had often declared, that she was first robbed of that inestimable jewel, her Virtue, by a rogue of a sailor, who imposed upon her by a promise of marriage.
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Images: Young Peasant Woman Holding a Wine Flask – Giacomo Ceruti (1737), Beer Street - William Hogarth (1751), Bridewell Hospital: a corner of a courtyard – Thomas H. Shepherd (1822)
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#18thcentury #18c #bridewell #18thcenturyhistory #londonhistory #london #bridgerton

Just a little something in honour of my 29th birthday today! While not exhaustive, I thought I would give you a peek into the most common names, places and ages mentioned across Harris's List's. Particularly as I am getting closer to having 2000 women catalogued! My spreadsheet is so full it has started to slow down when I scroll.

Just a little something in honour of my 29th birthday today! While not exhaustive, I thought I would give you a peek into the most common names, places and ages mentioned across Harris's List's. Particularly as I am getting closer to having 2000 women catalogued! My spreadsheet is so full it has started to slow down when I scroll.

[1761 Edition] Miss Poll Edmonds, Unknown or Long Acre.
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A tall genteel girl, who left the business of a milliner in the city, to which she was bred, to pursue business of a more pleasurable nature in our part of the world. She is tall, well enough made, with a longish face, and long dark hair; her eyes are hazle, small, and very good: her face is otherwise but plain, and she spoils it by making mouths in discourse, of which she is no churl, for she talks faster than mill-wheels strike. She has not been much known; and though she is sometimes at a play, we know not where to trace her; for she has left Long-Acre about a year.
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Images: An Unknown Woman, Called Peg Woffington – George Beare (1738-1749), The Village Agreement - Jean-Baptiste Greuze (1761), London Welcomes Home Runaways - Henry Petowe (1625)
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#18thcentury #c18 #18thcenturylondon #london

[1761 Edition] Miss Poll Edmonds, Unknown or Long Acre.
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A tall genteel girl, who left the business of a milliner in the city, to which she was bred, to pursue business of a more pleasurable nature in our part of the world. She is tall, well enough made, with a longish face, and long dark hair; her eyes are hazle, small, and very good: her face is otherwise but plain, and she spoils it by making mouths in discourse, of which she is no churl, for she talks faster than mill-wheels strike. She has not been much known; and though she is sometimes at a play, we know not where to trace her; for she has left Long-Acre about a year.
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Images: An Unknown Woman, Called Peg Woffington – George Beare (1738-1749), The Village Agreement - Jean-Baptiste Greuze (1761), London Welcomes Home Runaways - Henry Petowe (1625)
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#18thcentury #c18 #18thcenturylondon #london

[1771 Edition] Miss K-y, Alias J-ns, Swallow Street, Carnaby Market.
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This lady is sister to the celebrated murderers of that name, at this time in the King’s Bench Prison, she is of a midling stature, excellent fine hair and eyes, good teeth, and a sweetness of disposition, that commands the greatest respect, she is said at present to be in keeping with a person, who had influence enough to procure a pardon for her Brothers, pity but they had been of as mild a temper as her self.
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Images: Study for portrait of unknown woman - Maurice Quentin de La Tour (c.1740s), Beer Street - William Hogarth (1751), Map of London Sheet C3 - Richard Horwood (1799)
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#18thcentury #18thcenturylondon #georgianera #historicaltruecrime

[1771 Edition] Miss K-y, Alias J-ns, Swallow Street, Carnaby Market.
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This lady is sister to the celebrated murderers of that name, at this time in the King’s Bench Prison, she is of a midling stature, excellent fine hair and eyes, good teeth, and a sweetness of disposition, that commands the greatest respect, she is said at present to be in keeping with a person, who had influence enough to procure a pardon for her Brothers, pity but they had been of as mild a temper as her self.
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Images: Study for portrait of unknown woman - Maurice Quentin de La Tour (c.1740s), Beer Street - William Hogarth (1751), Map of London Sheet C3 - Richard Horwood (1799)
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#18thcentury #18thcenturylondon #georgianera #historicaltruecrime

One of the interesting parts of creating visuals for my posts is seperating the individual in an artwork from the background. It's not always perfect (I am not an artist!) but it's fun to see where the lines of the person ends and where the background begins. Sometimes it's easy, othertimes not. I've done quite a few now that I think it would make a good stickerbook if I knew how to make one! A fun behind-the-scenes for everyone!

#18thcentury #18thcenturyart

One of the interesting parts of creating visuals for my posts is seperating the individual in an artwork from the background. It's not always perfect (I am not an artist!) but it's fun to see where the lines of the person ends and where the background begins. Sometimes it's easy, othertimes not. I've done quite a few now that I think it would make a good stickerbook if I knew how to make one! A fun behind-the-scenes for everyone!

#18thcentury #18thcenturyart

The 1799 Parishes of London! This was an absolute nightmare to make - and even more difficult to decide which street is assigned to which Parish when three or four converge together...

..........
https://www.coventgardenladies.com/streets-and-buildings

The 1799 Parishes of London! This was an absolute nightmare to make - and even more difficult to decide which street is assigned to which Parish when three or four converge together...

..........
https://www.coventgardenladies.com/streets-and-buildings

We are live! Check out the map and upcoming indepth profiles on the ladies!

https://www.coventgardenladies.com/

We are live! Check out the map and upcoming indepth profiles on the ladies!

https://www.coventgardenladies.com/

Sneak preview of what I've been working on. 941 Individuals mapped so far... Stay tuned! #coventgardenladies #18thcentury #c18

Sneak preview of what I've been working on. 941 Individuals mapped so far... Stay tuned! #coventgardenladies #18thcentury #c18

[1794 Edition] Miss Cr-md-n, 15 St. Albans Street, Piccadilly.
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With thee I’d break through laws divine and human. And think them cobwebs spread for little man, Which all the bulky herd of nature breaks. The vig’rous young world was ignorant Of all restrictions. ’Tis deceit now. Not more devout, but more decay’d and old.
Restrains of reason, ties of blood, marriage vows, and prudential maxims, are all weak barriers when Miss C------appears, opens her arms, and excites to pleasure. Her teeth invite the burning kiss, her feature tall but quite genteel. Her complexion pleases the eye, and her soft plump body rebounds from the close embrace, and demands repeated pressures. Her yielding limbs, though beautiful when together, are still more ravished when separated; and, when properly placed between them, we may cry out with the poet Addison, I’m lost in ecstasy. How shall I speak the transports of my soul? I’m so bless’d, I fear ’tis all a dream. Other beauties, indeed, may give equal joys, but few like Miss C -can continue them; others may forge chains, and put them on their lovers, but few, like her, can rivet them. Her great prudence, uncommon with the sisterhood, keeps her admirers attached to her, and none can quit her but with regret. From strangers (who must be gentlemen) she expects a genteel compliment but, when once acquainted, she abates in her demands, in proportion as she increases in her attachment. She has light brown hair, fine eyes, sings and dances to perfection, and not more than sixteen years of age; has not been in trade more than a twelvemonth, in which short time she has had the good fortune to procure for herself a very good keeper in the person of Major C, whose name she assumes.
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Images: Le printemps – Alexandre Marie Colin (1820-1830), Four Times of the Day: Morning – William Hogarth (1738), Carlton House the Prince Regent's Palace - Richard Holmes Laurie (1818)
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#18thcentury #georgianera #18thcenturylondon #pallmall

[1794 Edition] Miss Cr-md-n, 15 St. Albans Street, Piccadilly.
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With thee I’d break through laws divine and human. And think them cobwebs spread for little man, Which all the bulky herd of nature breaks. The vig’rous young world was ignorant Of all restrictions. ’Tis deceit now. Not more devout, but more decay’d and old.
Restrains of reason, ties of blood, marriage vows, and prudential maxims, are all weak barriers when Miss C------appears, opens her arms, and excites to pleasure. Her teeth invite the burning kiss, her feature tall but quite genteel. Her complexion pleases the eye, and her soft plump body rebounds from the close embrace, and demands repeated pressures. Her yielding limbs, though beautiful when together, are still more ravished when separated; and, when properly placed between them, we may cry out with the poet Addison, I’m lost in ecstasy. How shall I speak the transports of my soul? I’m so bless’d, I fear ’tis all a dream. Other beauties, indeed, may give equal joys, but few like Miss C -can continue them; others may forge chains, and put them on their lovers, but few, like her, can rivet them. Her great prudence, uncommon with the sisterhood, keeps her admirers attached to her, and none can quit her but with regret. From strangers (who must be gentlemen) she expects a genteel compliment but, when once acquainted, she abates in her demands, in proportion as she increases in her attachment. She has light brown hair, fine eyes, sings and dances to perfection, and not more than sixteen years of age; has not been in trade more than a twelvemonth, in which short time she has had the good fortune to procure for herself a very good keeper in the person of Major C, whose name she assumes.
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Images: Le printemps – Alexandre Marie Colin (1820-1830), Four Times of the Day: Morning – William Hogarth (1738), Carlton House the Prince Regent's Palace - Richard Holmes Laurie (1818)
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#18thcentury #georgianera #18thcenturylondon #pallmall

[1793 Edition] Mrs G-frey, 6 Newman Street.
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Here may the brisk, and able pour, An ocean of their liquid store.
This lady may be about thirty, rather plump, she has however, every requisite to make an agreeable bed-fellow, every nerve during the preludes to enjoyment, seem trembling alive to all the refined sensations, and every part about the frame is blessed with that corresponding aptness that cannot fail of producing the most desirable effects, neither has the too frequent use of the most bewitching spot rendered it the least callous to the joys of love; she still feels all that torrent of rapture, the mutual dissolution of two souls in liquid bliss can possibly afford; meets the coming moment with uncommon ecstasy, and asks the speedy return. She is very fond of black, as she pretends to be a widow; her price is one pound one tho' ten shillings and six-pence will do.
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Images: A young widow – Charles Antoine Coypel (1724), A Harlot’s Progress [Plate 3] – William Hogarth (1731), The Widow's Tale – John Raphael Smith (1789)
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#18thcentury #georgianera #18thcenturylondon #widows

[1793 Edition] Mrs G-frey, 6 Newman Street.
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Here may the brisk, and able pour, An ocean of their liquid store.
This lady may be about thirty, rather plump, she has however, every requisite to make an agreeable bed-fellow, every nerve during the preludes to enjoyment, seem trembling alive to all the refined sensations, and every part about the frame is blessed with that corresponding aptness that cannot fail of producing the most desirable effects, neither has the too frequent use of the most bewitching spot rendered it the least callous to the joys of love; she still feels all that torrent of rapture, the mutual dissolution of two souls in liquid bliss can possibly afford; meets the coming moment with uncommon ecstasy, and asks the speedy return. She is very fond of black, as she pretends to be a widow; her price is one pound one tho' ten shillings and six-pence will do.
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Images: A young widow – Charles Antoine Coypel (1724), A Harlot’s Progress [Plate 3] – William Hogarth (1731), The Widow's Tale – John Raphael Smith (1789)
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#18thcentury #georgianera #18thcenturylondon #widows

[1790 Edition] Miss Wh-tt, 18 Berwick Street.
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Observe the rapture-giving squeeze, The glowing cheek, the sparkling eye, The fault'ring voice, the trembling knees, That speak in silent words—I die.
This beautiful daughter of Venus by Apollo, is supposed to be the natural daughter of a noble lord, late in administration, who has had too many offerings of this kind to shew any kindness or affection to any. During her state of childhood, she received a very good education, and her voice, from being improved, is become exceedingly melodious and pleasing; she is genteely formed, fine blue eyes, with dark brown hair, pretty pouting lips, a good set of teeth, and a breath, Sweet as Arabian gales that ope the infant day.
She is about eighteen, speaks the French language, which induces most of those foreigners of distinction to pay their court to this lady; she takes a singular pleasure in endeavouring to oblige her visiters by singing, and in general succeeds; she visits the side boxes very frequently, which puts it in her power to oblige the admirers of her voice which most of the modern songs. She is good-natured, affable, and kind, and in bed a very comfortable partner; in this situation she employs her tongue and voice in another manner, full as satisfactory as when it emits the shrillest note; in this pleasing duet she performs her part with admirable skill and dexterity, and in such cases chooses the lowest part; she makes no scruple of getting as much as she possibly can from her foreign visiters, but will not refuse five guineas from a British hand, and that only in the absence of her keeper, from whom she has a very genteel support.
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Images: Mlle Heinefetter – Pierre Louis Grevedon (1830), Gin Lane - William Hogarth (1751), John Bull's incubus – Charles Jameson Grant (1835)
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#18thcentury #georgianera #18thcenturylondon #costofliving

[1790 Edition] Miss Wh-tt, 18 Berwick Street.
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Observe the rapture-giving squeeze, The glowing cheek, the sparkling eye, The fault'ring voice, the trembling knees, That speak in silent words—I die.
This beautiful daughter of Venus by Apollo, is supposed to be the natural daughter of a noble lord, late in administration, who has had too many offerings of this kind to shew any kindness or affection to any. During her state of childhood, she received a very good education, and her voice, from being improved, is become exceedingly melodious and pleasing; she is genteely formed, fine blue eyes, with dark brown hair, pretty pouting lips, a good set of teeth, and a breath, Sweet as Arabian gales that ope the infant day.
She is about eighteen, speaks the French language, which induces most of those foreigners of distinction to pay their court to this lady; she takes a singular pleasure in endeavouring to oblige her visiters by singing, and in general succeeds; she visits the side boxes very frequently, which puts it in her power to oblige the admirers of her voice which most of the modern songs. She is good-natured, affable, and kind, and in bed a very comfortable partner; in this situation she employs her tongue and voice in another manner, full as satisfactory as when it emits the shrillest note; in this pleasing duet she performs her part with admirable skill and dexterity, and in such cases chooses the lowest part; she makes no scruple of getting as much as she possibly can from her foreign visiters, but will not refuse five guineas from a British hand, and that only in the absence of her keeper, from whom she has a very genteel support.
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Images: Mlle Heinefetter – Pierre Louis Grevedon (1830), Gin Lane - William Hogarth (1751), John Bull's incubus – Charles Jameson Grant (1835)
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#18thcentury #georgianera #18thcenturylondon #costofliving

[1789 Edition] Miss T-wns-nd, 15 Stevens Street, Rathbone Place.
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Beauty like mine would warm a hermit’s heart, Remove his calmness, and disturb his rest; Expel religion from his sacred grove, And all his passions soften into love.
The use of the needle first sired this Lady’s imagination with the use of a certain pin. She passed two years before her public entrance into life at a millener’s, in the town of Boston in America. The discourse between the experienced matrons in that dear initiating school, so warmed her naturally wanton heart, that she fell an easy snare to the first male trap, that fell in her way. Her good fortune soon threw her into the arms of an indulgent keeper, with whom she lived for some time, both before and since they have arrived in this country, the cause of her leaving him we are not acquainted with; suffice it to say, we are certain she refuses no visitors, that will afford a couple of guineas and a bottle. She is tall, and genteel made, now bordering on nineteen, dark complexion, dark hair, black eyes, and very amiable temper and disposition. She is a good dancer, and can sing a chearful song.
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Images: Personification of Africa – Rosalba Carriera (1720), A Harlot’s Progress [Plate 4]– William Hogarth (1731), State Street, Boston – William Henry Bartlett (1840s)
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#18thcentury #georgianera #18thcenturylondon #boston

[1789 Edition] Miss T-wns-nd, 15 Stevens Street, Rathbone Place.
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Beauty like mine would warm a hermit’s heart, Remove his calmness, and disturb his rest; Expel religion from his sacred grove, And all his passions soften into love.
The use of the needle first sired this Lady’s imagination with the use of a certain pin. She passed two years before her public entrance into life at a millener’s, in the town of Boston in America. The discourse between the experienced matrons in that dear initiating school, so warmed her naturally wanton heart, that she fell an easy snare to the first male trap, that fell in her way. Her good fortune soon threw her into the arms of an indulgent keeper, with whom she lived for some time, both before and since they have arrived in this country, the cause of her leaving him we are not acquainted with; suffice it to say, we are certain she refuses no visitors, that will afford a couple of guineas and a bottle. She is tall, and genteel made, now bordering on nineteen, dark complexion, dark hair, black eyes, and very amiable temper and disposition. She is a good dancer, and can sing a chearful song.
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Images: Personification of Africa – Rosalba Carriera (1720), A Harlot’s Progress [Plate 4]– William Hogarth (1731), State Street, Boston – William Henry Bartlett (1840s)
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#18thcentury #georgianera #18thcenturylondon #boston

[1788 Edition] Mrs H-w-rd, 14 Moor’s Place, Lambeth
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Her brows are arch'd, and rather full and thin, To shade the dazzling light that dwells therein.
Although Mrs. H--w--rd cannot be more than twenty-six, she has been a true sportswoman, at the cyprian games, for at least twelve years, and has within these late ones contracted such a habit of intimacy with the gin bottle, that unless a person is particularly partial to it, it is almost intolerable, to approach her. At Brighton, this last season, she was the favourite girl at Mrs. John--n's, and had she not, through a foolish fondness, gave the preference to her dear Mr. Sn--m, it is in general believed Mr. W----, the capital Brewer, would have taken her under his own protection; she is rather too short, and too fat, fine dark hair; and eyes and eye-brows that answer very well to her motto; the grove below is well thatched, and ample enough in size to take in any guest; but still she has learnt the knack of contracting it, and a small made gentleman may feel the tender friction. When she elopes from her dear fellow, she is to be met with at Mrs. J--ns--n's, in German-street, and does not turn away any money offered her.
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Images: Miss Macauley – Rose Emma Drummond (1818), A Harlot’s Progress [Plate 2]– William Hogarth (1731), Near Regents Square, Brighton – William Daniell (1823)
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#18thcentury #georgianera #18thcenturylondon #brighton

[1788 Edition] Mrs H-w-rd, 14 Moor’s Place, Lambeth
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Her brows are arch'd, and rather full and thin, To shade the dazzling light that dwells therein.
Although Mrs. H--w--rd cannot be more than twenty-six, she has been a true sportswoman, at the cyprian games, for at least twelve years, and has within these late ones contracted such a habit of intimacy with the gin bottle, that unless a person is particularly partial to it, it is almost intolerable, to approach her. At Brighton, this last season, she was the favourite girl at Mrs. John--n's, and had she not, through a foolish fondness, gave the preference to her dear Mr. Sn--m, it is in general believed Mr. W----, the capital Brewer, would have taken her under his own protection; she is rather too short, and too fat, fine dark hair; and eyes and eye-brows that answer very well to her motto; the grove below is well thatched, and ample enough in size to take in any guest; but still she has learnt the knack of contracting it, and a small made gentleman may feel the tender friction. When she elopes from her dear fellow, she is to be met with at Mrs. J--ns--n's, in German-street, and does not turn away any money offered her.
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Images: Miss Macauley – Rose Emma Drummond (1818), A Harlot’s Progress [Plate 2]– William Hogarth (1731), Near Regents Square, Brighton – William Daniell (1823)
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#18thcentury #georgianera #18thcenturylondon #brighton

[1787 Edition] Mrs Nancy W—dg-r, at a Perfumer’s in Rathbone Place
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Is an unexperienced dame, having just left her friends in Hampshire; she appears to be a well meaning girl, has natural sense, but by no means cunning enough for her present profession, for we have always sound it as true as any axiom in Geometry, that the Swains will take as mean advantages of the Nymphs as the latter can of them, which in our opinion, is very much to their disgrace, and needs no argument to prove the truth of the assertion. Poor Nancy is a mere Je vous remercie Monsieur. But however, she must of course, and by fate and necessity, soon learn better; she has very fine red hair, remarkably long, and good teeth; her complexion is particularly fair, and as far as we can judge entirely unassisted by Cosmetics; she dresses neat, but not at all in the stile of a fille de joye, but there is no doubt she will soon mend, unless she should soon fall into the hands of some rational keeper (which we own is a scarce animal) who has sense enough to improve her natural good nature and gratitude, to the improvement of her understanding and his own felicity. She has however, been given to understand that her favours are of the full value of two pounds two.
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Images: Miss Craigie – Allan Ramsay (1741), Strolling Actresses Dressing in a Barn - William Hogarth (1738), Mr Ross's Room, Bishopsgate Street – Ackermann (1816)
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#18thcentury #georgianera #18thcenturylondon #perfumers

[1787 Edition] Mrs Nancy W—dg-r, at a Perfumer’s in Rathbone Place
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Is an unexperienced dame, having just left her friends in Hampshire; she appears to be a well meaning girl, has natural sense, but by no means cunning enough for her present profession, for we have always sound it as true as any axiom in Geometry, that the Swains will take as mean advantages of the Nymphs as the latter can of them, which in our opinion, is very much to their disgrace, and needs no argument to prove the truth of the assertion. Poor Nancy is a mere Je vous remercie Monsieur. But however, she must of course, and by fate and necessity, soon learn better; she has very fine red hair, remarkably long, and good teeth; her complexion is particularly fair, and as far as we can judge entirely unassisted by Cosmetics; she dresses neat, but not at all in the stile of a fille de joye, but there is no doubt she will soon mend, unless she should soon fall into the hands of some rational keeper (which we own is a scarce animal) who has sense enough to improve her natural good nature and gratitude, to the improvement of her understanding and his own felicity. She has however, been given to understand that her favours are of the full value of two pounds two.
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Images: Miss Craigie – Allan Ramsay (1741), Strolling Actresses Dressing in a Barn - William Hogarth (1738), Mr Ross's Room, Bishopsgate Street – Ackermann (1816)
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#18thcentury #georgianera #18thcenturylondon #perfumers

[1786 Edition] Miss L-c-s, 18 Queen Ann Street East
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How strangely checquer’d is the scene of life, Thro’ which the ruin’d girl is forc’d to stray; Now buoy’d by hope, now sinking in despair, And blindly seeking the precarious way.
Was this lady’s soliloquy from the time she left the East Indies, till she ventur’d herself into life in our metropolis; a near relation of a noble Duke gain’d her heart in the East Indies: in that climate he behav’d to her with the kindness of a married man, but being oblig’d to return to England, she eagerly swallow’d the proposal, thinking she had full and close possession of hid heart, and about a year and a half ago made her appearance in town; in this region of beauty her keeper could not be confin’d, he lov’d variety, and soon left her, untutor’d in the ways of life, unhackney’d in the wiles of intrigue, a deserted forlorn girl, who liv’d upon the effects she brought from the East, ‘till it became absolutely necessary to seek some means for support; ‘tis but very lately she put our means in execution, and is at present so exceedingly timid, she cannot reconcile herself to the company of a stranger, unless introduc’d to her by a friend; her conversation is agreeable, and never disfigur’d by the least tint of vulgarity, she has receiv’d a good education, and is of a good family; in her person she is agreeable without being handsome, with dark hair and eyes, and a very pretty set of teeth, a natural good disposition, which, by misfortune, seem’d a little sour’d; but would some good natur’d cit take her under his care, and reserve her solely for his own use, we may dare venture to affirm she will be true and just to him, and her sweetness of disposition would again return; at present she is quite satisfy’d with one guinea per visit.
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Images: Beauty about to bathe – Unknown Artist (Chinese) (18th century), A Harlot’s Progress [Plate 1]– William Hogarth (1731), Album of export paintings – Unknown Artist (Guangzhou) (late 18C)
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#18thcentury #georgianera #18thcenturylondon #eastindiacompany

[1786 Edition] Miss L-c-s, 18 Queen Ann Street East
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How strangely checquer’d is the scene of life, Thro’ which the ruin’d girl is forc’d to stray; Now buoy’d by hope, now sinking in despair, And blindly seeking the precarious way.
Was this lady’s soliloquy from the time she left the East Indies, till she ventur’d herself into life in our metropolis; a near relation of a noble Duke gain’d her heart in the East Indies: in that climate he behav’d to her with the kindness of a married man, but being oblig’d to return to England, she eagerly swallow’d the proposal, thinking she had full and close possession of hid heart, and about a year and a half ago made her appearance in town; in this region of beauty her keeper could not be confin’d, he lov’d variety, and soon left her, untutor’d in the ways of life, unhackney’d in the wiles of intrigue, a deserted forlorn girl, who liv’d upon the effects she brought from the East, ‘till it became absolutely necessary to seek some means for support; ‘tis but very lately she put our means in execution, and is at present so exceedingly timid, she cannot reconcile herself to the company of a stranger, unless introduc’d to her by a friend; her conversation is agreeable, and never disfigur’d by the least tint of vulgarity, she has receiv’d a good education, and is of a good family; in her person she is agreeable without being handsome, with dark hair and eyes, and a very pretty set of teeth, a natural good disposition, which, by misfortune, seem’d a little sour’d; but would some good natur’d cit take her under his care, and reserve her solely for his own use, we may dare venture to affirm she will be true and just to him, and her sweetness of disposition would again return; at present she is quite satisfy’d with one guinea per visit.
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Images: Beauty about to bathe – Unknown Artist (Chinese) (18th century), A Harlot’s Progress [Plate 1]– William Hogarth (1731), Album of export paintings – Unknown Artist (Guangzhou) (late 18C)
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#18thcentury #georgianera #18thcenturylondon #eastindiacompany

[1783 Edition] Miss Th-mp--n, at Brown’s Hotel, Goodman’s Fields
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Reclin’d upon a couch the maiden lay, And all her Virgin Charms expos’d to view; I saw them all, unseen, and in her eyes, Read the mad language of untaught desire.
She has a Brown Hotel of her own, situated in the middle of Good-Woman’s Fields: it was formerly at the bottom of Maiden Lane, you now pass down Snow Hill, through Hare Court, immediately into Exchange Alley, then it is impossible to mistake the road. You are no sooner entered the premisses, but the reckoning is call’d for, and so pretty a method has she of demanding it, that what you do spend must be done with pleasure, and altho’ she gives full change always, unless you take particular care, you will find your purse quite empty when you depart. Just arrived at the tempting ripe age of twenty-two, with little sparkling blue eyes; her breasts rather full, but not less firm; very fair, and contrasted beautifully by the blue branching veins which surround every part: apparently light brown hair, but so covered with powder, that the colour is doubtful; good teeth, rather short, of a very sprightly and amorous disposition, and a very warm temper, especially when tempered by Bacchus. I forgot to inform you, although she in general gives full charge, she never gives any out of a guinea.
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Images: L'agreable neglige – Jean-François Janinet (1779), The Four Times of Day: Noon - William Hogarth (1738), Theatre in Great Alie Street Goodman's Fields - William Capon (1801)
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#18thcentury #georgianera #18thcenturylondon #goodmansfields

[1783 Edition] Miss Th-mp--n, at Brown’s Hotel, Goodman’s Fields
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Reclin’d upon a couch the maiden lay, And all her Virgin Charms expos’d to view; I saw them all, unseen, and in her eyes, Read the mad language of untaught desire.
She has a Brown Hotel of her own, situated in the middle of Good-Woman’s Fields: it was formerly at the bottom of Maiden Lane, you now pass down Snow Hill, through Hare Court, immediately into Exchange Alley, then it is impossible to mistake the road. You are no sooner entered the premisses, but the reckoning is call’d for, and so pretty a method has she of demanding it, that what you do spend must be done with pleasure, and altho’ she gives full change always, unless you take particular care, you will find your purse quite empty when you depart. Just arrived at the tempting ripe age of twenty-two, with little sparkling blue eyes; her breasts rather full, but not less firm; very fair, and contrasted beautifully by the blue branching veins which surround every part: apparently light brown hair, but so covered with powder, that the colour is doubtful; good teeth, rather short, of a very sprightly and amorous disposition, and a very warm temper, especially when tempered by Bacchus. I forgot to inform you, although she in general gives full charge, she never gives any out of a guinea.
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Images: L'agreable neglige – Jean-François Janinet (1779), The Four Times of Day: Noon - William Hogarth (1738), Theatre in Great Alie Street Goodman's Fields - William Capon (1801)
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#18thcentury #georgianera #18thcenturylondon #goodmansfields

[1765 Edition] Miss B-rgess, Charing Cross
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Tall and well made. Her eyes are black. She is generally allowed to be handsome, though she cannot be called a fine woman. She looks extremely well in boys cloaths; and having once assumed that disguise, passed upon a large company of gentlemen for one of their own sex, till she cave them convincing proofs of the contrary.
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Images: Sidney Beauclerk – Rosalba Carriera (1723), Beer Street - William Hogarth (1751), Mademoiselle La Chevaliere D'Eon de Beaumont - Richard Cosway (1787), Hannah Snell - Richard Phelps (1750), The Female Husband! - I.S. Thomas (1829)
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AMAB: Assigned Male at Birth; AFAB: Assigned Female at Birth; GNC: Gender Non-Conforming; FTM: Female-to-Male; MTF: Male-to-Female
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#18thcentury #georgianera #18thcenturylondon #transhistory #draghistory #chevalierdeon #jamesallen #charleshamilton

[1765 Edition] Miss B-rgess, Charing Cross
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Tall and well made. Her eyes are black. She is generally allowed to be handsome, though she cannot be called a fine woman. She looks extremely well in boys cloaths; and having once assumed that disguise, passed upon a large company of gentlemen for one of their own sex, till she cave them convincing proofs of the contrary.
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Images: Sidney Beauclerk – Rosalba Carriera (1723), Beer Street - William Hogarth (1751), Mademoiselle La Chevaliere D'Eon de Beaumont - Richard Cosway (1787), Hannah Snell - Richard Phelps (1750), The Female Husband! - I.S. Thomas (1829)
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AMAB: Assigned Male at Birth; AFAB: Assigned Female at Birth; GNC: Gender Non-Conforming; FTM: Female-to-Male; MTF: Male-to-Female
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#18thcentury #georgianera #18thcenturylondon #transhistory #draghistory #chevalierdeon #jamesallen #charleshamilton

[1691] Mrs Mary H----n, Smithfield
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A tall, graceful, comely Woman, indebted for two thirds of her beauty to Washes and the Patch-box; she mightily frequents the Raffling-shops, very shy of allowing her Favours; but the present of Silver Furniture for her Chamber may mollifie her, which will cost you but 20l.
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Images: A young woman – Martin Schongauer (1646), Femme de qualité déshabillée pour le bain – Jean Dieu de Saint-Jean (1685)
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#stuartera #17thcentury #williamandmary #17thcenturylondon

[1691] Mrs Mary H----n, Smithfield
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A tall, graceful, comely Woman, indebted for two thirds of her beauty to Washes and the Patch-box; she mightily frequents the Raffling-shops, very shy of allowing her Favours; but the present of Silver Furniture for her Chamber may mollifie her, which will cost you but 20l.
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Images: A young woman – Martin Schongauer (1646), Femme de qualité déshabillée pour le bain – Jean Dieu de Saint-Jean (1685)
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#stuartera #17thcentury #williamandmary #17thcenturylondon

[1794 Edition] Miss God-ry, 55 Charlotte Street, Portland Place
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Reclined upon a couch the maiden lay, And all her virgin charms exposed to view; I saw them all, unseen, and in her eyes, Read the mad language of untaught desire.
Here now is a blooming piece, and only seventeen, of a middling stature, very pretty face, fair complexion, and has hot kept a warehouse, for the reception of goods, properly entered, above twelve months. She is certainly a fine handsome girl of a delicate make, with beautiful blue eyes, which beam languishingly the sweetness and willingness of her disposition, and in their wanton glances indicate the sensibility of the parts into which you introduce, or are introduced. This lady had a child about two months ago, by whom we do not know. Any gentleman wanting to cast anchor in this lady’s port, will find as secure a harbour as ever plummet fathomed. One pound one will not be refused for entrance money.
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Images: Portrait of a young woman – John Hoppner (1758-1810), Four Times of the Day: Morning – William Hogarth (1738), Oh! Dear! What can the matter be! Johnny has been at the fair. – Thomas Prattent (1793)
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#georgianera #18thcentury #soho #18thcenturypregnancy #18thcenturyabortion

[1794 Edition] Miss God-ry, 55 Charlotte Street, Portland Place
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Reclined upon a couch the maiden lay, And all her virgin charms exposed to view; I saw them all, unseen, and in her eyes, Read the mad language of untaught desire.
Here now is a blooming piece, and only seventeen, of a middling stature, very pretty face, fair complexion, and has hot kept a warehouse, for the reception of goods, properly entered, above twelve months. She is certainly a fine handsome girl of a delicate make, with beautiful blue eyes, which beam languishingly the sweetness and willingness of her disposition, and in their wanton glances indicate the sensibility of the parts into which you introduce, or are introduced. This lady had a child about two months ago, by whom we do not know. Any gentleman wanting to cast anchor in this lady’s port, will find as secure a harbour as ever plummet fathomed. One pound one will not be refused for entrance money.
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Images: Portrait of a young woman – John Hoppner (1758-1810), Four Times of the Day: Morning – William Hogarth (1738), Oh! Dear! What can the matter be! Johnny has been at the fair. – Thomas Prattent (1793)
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#georgianera #18thcentury #soho #18thcenturypregnancy #18thcenturyabortion

[1793 Edition] Mrs Harris-n, Next door to the Shoe-makers Shop, Cleveland Street, New Moulton Street.
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Let the present hour be mine.
A pompous heroic girl, without either wit or humour, but fancies herself clever without any person acquiescing with her whomsoever. She is of the red-haired kind and very vicious, too fond of the male kind for her business, which is the cause of her not succeeding as she should do. Her person is extremely well made, good eyes, fair skin, and incomparable fine hair; never so happy as when in bed with a pretty fellow, altho' the gets nothing by him—like the giddy girl, thinks of nothing but the present, leaving all future events to chance. She left an elderly man, who would have given her five guineas, to bed with a young fellow who had not a single sixpence, and having herself just one guinea thought it sufficient to defray the expense of the night and the following day, leaving herself without a farthing for the sake of a few hours indulgence with this favourite. Whatever money she receives from her indifferent customers she holds in a kind of contempt, and longs for an opportunity to throw away upon her favourite man—generally one who is penniless and glad of even a dinner. This lady lives in the first floor, was lately in keeping with a young banker, but since with another gentleman.
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Images: Lady Hamilton as a Bacchante – George Romney (1785), A Harlot’s Progress [Plate 3] – William Hogarth (1731), Cleveland Street Workhouse – Unknown (1930s) courtesy of knowyourlondon wordpress
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#georgianera #18thcentury #soho #clevelandstreet #clevelandstreetworkhouse

[1793 Edition] Mrs Harris-n, Next door to the Shoe-makers Shop, Cleveland Street, New Moulton Street.
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Let the present hour be mine.
A pompous heroic girl, without either wit or humour, but fancies herself clever without any person acquiescing with her whomsoever. She is of the red-haired kind and very vicious, too fond of the male kind for her business, which is the cause of her not succeeding as she should do. Her person is extremely well made, good eyes, fair skin, and incomparable fine hair; never so happy as when in bed with a pretty fellow, altho' the gets nothing by him—like the giddy girl, thinks of nothing but the present, leaving all future events to chance. She left an elderly man, who would have given her five guineas, to bed with a young fellow who had not a single sixpence, and having herself just one guinea thought it sufficient to defray the expense of the night and the following day, leaving herself without a farthing for the sake of a few hours indulgence with this favourite. Whatever money she receives from her indifferent customers she holds in a kind of contempt, and longs for an opportunity to throw away upon her favourite man—generally one who is penniless and glad of even a dinner. This lady lives in the first floor, was lately in keeping with a young banker, but since with another gentleman.
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Images: Lady Hamilton as a Bacchante – George Romney (1785), A Harlot’s Progress [Plate 3] – William Hogarth (1731), Cleveland Street Workhouse – Unknown (1930s) courtesy of knowyourlondon wordpress
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#georgianera #18thcentury #soho #clevelandstreet #clevelandstreetworkhouse

[1790 Edition] Miss Charlotte B-lm-r, 31 Wardour Street, Soho.
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She wants no art to give her greater charms, And sure ‘tis heaven to die in her arms.
This lady is tall and rather lusty, she is remarkably fair, which we take to be the gift of nature, as we believe she is an utter stranger to pearl powder. Her eyes are a fine blue, and her lovely tresses of a sandy cast; in a word, she is a bewitching girl when she does not laugh, and by pursuing Lord Chesterfield's rule, of never going beyond a smile or a simper, she may always be sure of conquest; but when she unguardedly gives loose to a hearty laugh, she destroys all the force of her charms, by too visibly displaying she has not in time applied to Ruspini for his professional aid. She is about twenty three, and has been training for amorous delights about three years. It is said she was brought up a clear starcher, and it must be owned she seems still to retain a proper knowledge of that vocation, as few ladies of that profession are better qualified to stiffen and get up small things to the highest perfection. One pound one is the usual fee of this female chamber counsel; but two pieces will afford her much greater satisfaction, and give her such a flow of spirits, as induce her to make uncommon exertions, which have produced incredible effects. Lord V--- often visits her, and though his reputation has long since been established in the annals of amorous gratification, Miss B—r by dint of extraordinary abilities, often makes him believe he affords her the highest gratification. This lady was lately in keeping by a gentleman of the name she now assumes, who left her merely from being so immoderately inclined to extravagance.
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Images: Miss Mangeon of Drury Lane Theatre – Rose Emma Drummond (1817), Gin Lane - William Hogarth (1751), Chesterfield's Principles of Politeness – Samuel Collings (1791)
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#georgianera #18thcentury #soho #lordchesterfield

[1790 Edition] Miss Charlotte B-lm-r, 31 Wardour Street, Soho.
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She wants no art to give her greater charms, And sure ‘tis heaven to die in her arms.
This lady is tall and rather lusty, she is remarkably fair, which we take to be the gift of nature, as we believe she is an utter stranger to pearl powder. Her eyes are a fine blue, and her lovely tresses of a sandy cast; in a word, she is a bewitching girl when she does not laugh, and by pursuing Lord Chesterfield's rule, of never going beyond a smile or a simper, she may always be sure of conquest; but when she unguardedly gives loose to a hearty laugh, she destroys all the force of her charms, by too visibly displaying she has not in time applied to Ruspini for his professional aid. She is about twenty three, and has been training for amorous delights about three years. It is said she was brought up a clear starcher, and it must be owned she seems still to retain a proper knowledge of that vocation, as few ladies of that profession are better qualified to stiffen and get up small things to the highest perfection. One pound one is the usual fee of this female chamber counsel; but two pieces will afford her much greater satisfaction, and give her such a flow of spirits, as induce her to make uncommon exertions, which have produced incredible effects. Lord V--- often visits her, and though his reputation has long since been established in the annals of amorous gratification, Miss B—r by dint of extraordinary abilities, often makes him believe he affords her the highest gratification. This lady was lately in keeping by a gentleman of the name she now assumes, who left her merely from being so immoderately inclined to extravagance.
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Images: Miss Mangeon of Drury Lane Theatre – Rose Emma Drummond (1817), Gin Lane - William Hogarth (1751), Chesterfield's Principles of Politeness – Samuel Collings (1791)
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#georgianera #18thcentury #soho #lordchesterfield

[1789 Edition] Madame Dev-ll-r, 20 Leicester Street, Golden Square.
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Here come, no freedoms I deny, Indulge the tempting dear delight, Drink transports from my liquid eye, And spend in bliss the peaceful night.
If fame speaks true, this lady has been the once happy mistress of a French nobleman, in her own country, from whence she has but lately arrived; however, her reign in that exalted sphere was only three months, a sufficient time to stain her young mind with that kind of pride, a once exalted state generally creates in a female breast; nevertheless she is a desirable girl, and whilst her paramour continues the gentleman, he will find in her presence every enjoyment a true sensualist can desire; her affable temper, and natural good disposition, has secured her a genteel circle of male acquaintance, and if a smart elegant figure, fair complexion, blue eyes, and a good set of teeth, are, in the eye of our reader, worth two or three guineas, we would recommend him to visit the amorous Madame Dev-ll-r.
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Images: Mrs Robinson – Sir Joshua Reynolds (1785), A Harlot’s Progress [Plate 4]– William Hogarth (1731), A faut esperer q'eu se jeu la finira bentot – Anonymous (1789), La chute du despotisme. The downfall of despotism - Frederick George Byron (1789)
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#georgianera #18thcentury #frenchrevolution

[1789 Edition] Madame Dev-ll-r, 20 Leicester Street, Golden Square.
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Here come, no freedoms I deny, Indulge the tempting dear delight, Drink transports from my liquid eye, And spend in bliss the peaceful night.
If fame speaks true, this lady has been the once happy mistress of a French nobleman, in her own country, from whence she has but lately arrived; however, her reign in that exalted sphere was only three months, a sufficient time to stain her young mind with that kind of pride, a once exalted state generally creates in a female breast; nevertheless she is a desirable girl, and whilst her paramour continues the gentleman, he will find in her presence every enjoyment a true sensualist can desire; her affable temper, and natural good disposition, has secured her a genteel circle of male acquaintance, and if a smart elegant figure, fair complexion, blue eyes, and a good set of teeth, are, in the eye of our reader, worth two or three guineas, we would recommend him to visit the amorous Madame Dev-ll-r.
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Images: Mrs Robinson – Sir Joshua Reynolds (1785), A Harlot’s Progress [Plate 4]– William Hogarth (1731), A faut esperer q'eu se jeu la finira bentot – Anonymous (1789), La chute du despotisme. The downfall of despotism - Frederick George Byron (1789)
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#georgianera #18thcentury #frenchrevolution

[1788 Edition] Miss Br-wn, 8 Castle Street, Oxford Market
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Give me plenty of bub, From the large brandy tub, And I'll spend the whole night in your arms, I'll expose every part Of my brown apple cart, And stifle, quite stifle the boy in its charms.
I hope none of our readers will proves a Mr. L-d-tt, who, about six months ago, from a mere silly quarrel with this his favourite fair, thought it convenient to finish his existence in the leaden way; she does not possess either youth or novelty sufficient to tempt many, to act in that way, having been at least seven years a trading nymph to our knowledge; she is tall, and genteelly made, with a fine skin, and beautiful flaxen hair, but is too fond of the brandy bottle to give that sincere delight, that mutual interchange of souls so necessary to stamp the extatic rapture; she may, however, prove to those that will drink a glass with her, and has no objection to become as merry as herself, a desireable piece, as she is neither extravagant in her demands, or nice in the choice of her admirers.
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Images: Lady St Aubyn – Joshua Reynolds (1788), A Harlot’s Progress [Plate 2]– William Hogarth (1731), Marriage A-la-Mode, Plate VI - William Hogarth (1745)
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#georgianera #18thcentury #castlestreet #historicalmentalhealth

[1788 Edition] Miss Br-wn, 8 Castle Street, Oxford Market
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Give me plenty of bub, From the large brandy tub, And I'll spend the whole night in your arms, I'll expose every part Of my brown apple cart, And stifle, quite stifle the boy in its charms.
I hope none of our readers will proves a Mr. L-d-tt, who, about six months ago, from a mere silly quarrel with this his favourite fair, thought it convenient to finish his existence in the leaden way; she does not possess either youth or novelty sufficient to tempt many, to act in that way, having been at least seven years a trading nymph to our knowledge; she is tall, and genteelly made, with a fine skin, and beautiful flaxen hair, but is too fond of the brandy bottle to give that sincere delight, that mutual interchange of souls so necessary to stamp the extatic rapture; she may, however, prove to those that will drink a glass with her, and has no objection to become as merry as herself, a desireable piece, as she is neither extravagant in her demands, or nice in the choice of her admirers.
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Images: Lady St Aubyn – Joshua Reynolds (1788), A Harlot’s Progress [Plate 2]– William Hogarth (1731), Marriage A-la-Mode, Plate VI - William Hogarth (1745)
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#georgianera #18thcentury #castlestreet #historicalmentalhealth

[1787 Edition] Miss M-nst-n, 80 Queen Ann Street, East
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O what a rapture did my frame surround, When first I clasp’d her body close to mine! ‘Twas more than rapture all, ‘twas all divine! Such joys I knew, as words want power to tell; Joys, which the feeble reach of thought excel. My soul surpris’d at that excess of joy, (Still ever pleasing, and could never cloy) Unable to sustain it, wing’d away, Whilst all intrac’d and extacy’d I lay.
This lovely fountain of transport is tall and fair, melting and generous, with light hair, and light and sparkling eyes. She indeed knows her value, and expects no less than three guineas and a supper; for she is averse to short skirmishes, and nothing but a whole night’s engagement will please her. She was born in Edinburgh, and was daughter to a bookseller, who married her at sixteen to a young printer; as he perceived, though very young, she was ready for the press, and wanted some one to open the leaves of her duodecimo. Her mother also was of opinion, that she had better smart than itch. But whether her husband did not make a proper impression; or whether she though him too religious, and whilst he constantly said a long grace before meat, and as long a thanksgiving after every delicious meal ‘till his food grew cold; she left him about twelve months since, and came up to London with a young officer. But he was soon appointed to another regiment, through national interest, and left Moggy to shift for herself. She knew she was quite lovely; and felt she was loving; and tho’ she had quitted the printer’s balls and frisket, she had no doubt but she should find as good, She had saved some money, had good cloaths, and made a respectable appearance. She assumed the name she now bears, was noticed by some men of consequence, and has now sufficient employment.
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Images: Nelly O'Brien – Joshua Reynolds (1762), Strolling Actresses Dressing in a Barn - William Hogarth (1738), L'accordée de village - Jean Baptiste Greuze (1770)
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#georgianera #18thcentury #queenannstreet #18thcenturymarriage #scottishmarriage

[1787 Edition] Miss M-nst-n, 80 Queen Ann Street, East
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O what a rapture did my frame surround, When first I clasp’d her body close to mine! ‘Twas more than rapture all, ‘twas all divine! Such joys I knew, as words want power to tell; Joys, which the feeble reach of thought excel. My soul surpris’d at that excess of joy, (Still ever pleasing, and could never cloy) Unable to sustain it, wing’d away, Whilst all intrac’d and extacy’d I lay.
This lovely fountain of transport is tall and fair, melting and generous, with light hair, and light and sparkling eyes. She indeed knows her value, and expects no less than three guineas and a supper; for she is averse to short skirmishes, and nothing but a whole night’s engagement will please her. She was born in Edinburgh, and was daughter to a bookseller, who married her at sixteen to a young printer; as he perceived, though very young, she was ready for the press, and wanted some one to open the leaves of her duodecimo. Her mother also was of opinion, that she had better smart than itch. But whether her husband did not make a proper impression; or whether she though him too religious, and whilst he constantly said a long grace before meat, and as long a thanksgiving after every delicious meal ‘till his food grew cold; she left him about twelve months since, and came up to London with a young officer. But he was soon appointed to another regiment, through national interest, and left Moggy to shift for herself. She knew she was quite lovely; and felt she was loving; and tho’ she had quitted the printer’s balls and frisket, she had no doubt but she should find as good, She had saved some money, had good cloaths, and made a respectable appearance. She assumed the name she now bears, was noticed by some men of consequence, and has now sufficient employment.
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Images: Nelly O'Brien – Joshua Reynolds (1762), Strolling Actresses Dressing in a Barn - William Hogarth (1738), L'accordée de village - Jean Baptiste Greuze (1770)
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#georgianera #18thcentury #queenannstreet #18thcenturymarriage #scottishmarriage

[1786 Edition] Miss Chr-stm-s, 5 New Street, Fetter Lane
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When fishes leave their element And swim upon the wind, When birds the watry ocean seek And leave the air behind, When tides forget their ebb and flow And not till (could I have life); Would I leave of the thrilling sport, But never, never, be a wife.
The first cause for sin in this daughter of love was, (what is in general believ’d a very common one) the ill usage and abuse of a wicked step-mother, and the careless unheeding disposition of a foolish mistaken father, who grown blind to the tender throbs of paternal affection, and ridiculously enamour’d with this second wife, suffers the quarrels, which pass between her and his own children, to go unregarded, or rather taking his wife’s part; this was the cause of her quitting Birmingham (the place of her nativity); this was likewise the cause of her visiting this metropolis, and this is also the cause of out being able to present to the world a very desirable handsome girl, who no longer ago than last Christmas made her first entrée into the sportive field of love; she is tall and genteel. And every limb in exact proportion to the more attracting parts, a light blue eye, captivatingly swimming in the soft fire of love, Around her neck of make divinely fair, Does glossy ringlets play of dark brown hair, which in a lovely manner tenderly and loosely overshade two panting promontories, and grand dairy of love and pleasure, and add fresh grace to every welcome rise. Her temper is unexceptionable, and cannot avoid pleasing, and should her visitor seem shy, she tenderly embraces him, enfolds him in her wanton arms, and print the balmy kiss with all th’ ecstatic raptures of a lover; press forward the pleasing business, throw open her floodgates of delight, and drain to the last drop the spouting enginge, at the very convenient price of ten shillings and six-pence.
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Images: Portrait of an unknown young woman – Leonard Charles Wyon (1845), A Harlot’s Progress [Plate 1]– William Hogarth (1731), The Cruel Stepmother - James Catnach (1835)
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#georgianera #18thcentury #wickedstepmother

[1786 Edition] Miss Chr-stm-s, 5 New Street, Fetter Lane
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When fishes leave their element And swim upon the wind, When birds the watry ocean seek And leave the air behind, When tides forget their ebb and flow And not till (could I have life); Would I leave of the thrilling sport, But never, never, be a wife.
The first cause for sin in this daughter of love was, (what is in general believ’d a very common one) the ill usage and abuse of a wicked step-mother, and the careless unheeding disposition of a foolish mistaken father, who grown blind to the tender throbs of paternal affection, and ridiculously enamour’d with this second wife, suffers the quarrels, which pass between her and his own children, to go unregarded, or rather taking his wife’s part; this was the cause of her quitting Birmingham (the place of her nativity); this was likewise the cause of her visiting this metropolis, and this is also the cause of out being able to present to the world a very desirable handsome girl, who no longer ago than last Christmas made her first entrée into the sportive field of love; she is tall and genteel. And every limb in exact proportion to the more attracting parts, a light blue eye, captivatingly swimming in the soft fire of love, Around her neck of make divinely fair, Does glossy ringlets play of dark brown hair, which in a lovely manner tenderly and loosely overshade two panting promontories, and grand dairy of love and pleasure, and add fresh grace to every welcome rise. Her temper is unexceptionable, and cannot avoid pleasing, and should her visitor seem shy, she tenderly embraces him, enfolds him in her wanton arms, and print the balmy kiss with all th’ ecstatic raptures of a lover; press forward the pleasing business, throw open her floodgates of delight, and drain to the last drop the spouting enginge, at the very convenient price of ten shillings and six-pence.
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Images: Portrait of an unknown young woman – Leonard Charles Wyon (1845), A Harlot’s Progress [Plate 1]– William Hogarth (1731), The Cruel Stepmother - James Catnach (1835)
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#georgianera #18thcentury #wickedstepmother

[1765 Edition] Miss D-y, Spring Gardens
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This celebrated heroine, though little in stature, but great in fame, deserves, by birth as well as merit, to appear one of the foremost in our List, being the supposed daughter of a gentle of first fashion in Ireland, (famous for his illicit amours) by his lady’s waiting-woman; who, ‘tis said, by her violent raptures in the action of love, used to so shake, disturb, and drive about the helpless foetus in her womb, as, by repeated shocks, to lessen the tender compages in its first efforts of expanding itself into the dimensions allotted it by nature; and that her epitomised and curtailed form hath been even since the unhappy consequence. Miss D-y’s, lowness of stature hath been however productive of extraordinary vivacity, and uncommon quickness of invention, when disposed to allure and please her gallants. By what fatality she came on the public, is as yet a secret; but she seems to be entirely devoted to the pleasures and private amusements of the genteel and gay of the other sex, and may be seen often in the Park, in company with two or three officers of the Foot-guards. She seems to be a lover of gaming; and even when engaged in a party at play, she still has an eye to business. If she is at any time unfortunate, she repays her debts of honour, by yielding up her person.
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Images: Catharina Helena Stöberin – Johann Esaias Nilson (1775), Beer Street - William Hogarth (1751), Owen Farrel the Irish Dwarf - Hubert François Gravelot (1742)
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#georgianera #18thcentury #historyofdwarfism #dwarfism #achondroplasia #ghd #littleperson

[1765 Edition] Miss D-y, Spring Gardens
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This celebrated heroine, though little in stature, but great in fame, deserves, by birth as well as merit, to appear one of the foremost in our List, being the supposed daughter of a gentle of first fashion in Ireland, (famous for his illicit amours) by his lady’s waiting-woman; who, ‘tis said, by her violent raptures in the action of love, used to so shake, disturb, and drive about the helpless foetus in her womb, as, by repeated shocks, to lessen the tender compages in its first efforts of expanding itself into the dimensions allotted it by nature; and that her epitomised and curtailed form hath been even since the unhappy consequence. Miss D-y’s, lowness of stature hath been however productive of extraordinary vivacity, and uncommon quickness of invention, when disposed to allure and please her gallants. By what fatality she came on the public, is as yet a secret; but she seems to be entirely devoted to the pleasures and private amusements of the genteel and gay of the other sex, and may be seen often in the Park, in company with two or three officers of the Foot-guards. She seems to be a lover of gaming; and even when engaged in a party at play, she still has an eye to business. If she is at any time unfortunate, she repays her debts of honour, by yielding up her person.
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Images: Catharina Helena Stöberin – Johann Esaias Nilson (1775), Beer Street - William Hogarth (1751), Owen Farrel the Irish Dwarf - Hubert François Gravelot (1742)
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#georgianera #18thcentury #historyofdwarfism #dwarfism #achondroplasia #ghd #littleperson

[Individual Highlight] Jane Douglas, The Empress of the Bawds 1698-1761
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For the first time in Covent Garden Ladies history, I can finally have the images actually be of the woman I am talking about! How exciting! I was looking through various brothel madams and English courtesans when Jane caught my eye. Particularly how she was styled as the ‘Empress of the Bawds’ and how she had her own memoirs. Those memoirs which held a subtitle of, “Audire est operæ pretium, procedere recte - Qui mœchis non vultis.” Or “To listen is the price of the work, to proceed rightly - You who do not want adulterers.” A warning that her life’s story, as written by the anonymous author, should be listened to and learned from.
Her memoirs can be found online and they’re a short and easy read. There’s so much detail that I omitted for the sake of brevity here but is fully fleshed out in the text. How much of it is true? Who knows, but its rare to have a document that someone of her standing likely had a say in writing and how she wished to be remembered after her death.
The second image of Jane found in William Hogarth’s Enthusiasm Delineated is an interesting one as it exists as a proto-drawing to his more well known work Credulity, Superstition and Fanaticism, where Jane is replaced by Mary Toft, the subject of a hoax wherein she ‘gave birth’ to rabbits after a miscarriage. I’ll likely do a post on Toft in the future, even though she has nothing to do with prostitution. Her situation, agency and memory are still a matter of contention, and she is a very interesting person to remember.
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Images: Detail from The March of the Guards to Finchley – William Hogarth (1750), Enthusiasm Delineated – William Hogarth (1760-1762)
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#georgianera #18thcentury #janedouglas #motherdouglas

[Individual Highlight] Jane Douglas, The Empress of the Bawds 1698-1761
-----
For the first time in Covent Garden Ladies history, I can finally have the images actually be of the woman I am talking about! How exciting! I was looking through various brothel madams and English courtesans when Jane caught my eye. Particularly how she was styled as the ‘Empress of the Bawds’ and how she had her own memoirs. Those memoirs which held a subtitle of, “Audire est operæ pretium, procedere recte - Qui mœchis non vultis.” Or “To listen is the price of the work, to proceed rightly - You who do not want adulterers.” A warning that her life’s story, as written by the anonymous author, should be listened to and learned from.
Her memoirs can be found online and they’re a short and easy read. There’s so much detail that I omitted for the sake of brevity here but is fully fleshed out in the text. How much of it is true? Who knows, but its rare to have a document that someone of her standing likely had a say in writing and how she wished to be remembered after her death.
The second image of Jane found in William Hogarth’s Enthusiasm Delineated is an interesting one as it exists as a proto-drawing to his more well known work Credulity, Superstition and Fanaticism, where Jane is replaced by Mary Toft, the subject of a hoax wherein she ‘gave birth’ to rabbits after a miscarriage. I’ll likely do a post on Toft in the future, even though she has nothing to do with prostitution. Her situation, agency and memory are still a matter of contention, and she is a very interesting person to remember.
-----
Images: Detail from The March of the Guards to Finchley – William Hogarth (1750), Enthusiasm Delineated – William Hogarth (1760-1762)
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#georgianera #18thcentury #janedouglas #motherdouglas

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Covent Garden Ladies is a site dedicated to the lives and experiences of the women found within the lists of Harris's Covent Garden Ladies. As of February 2026, we have mapped 1958 women from the various Harris’ List of Covent Garden Ladies. This map includes the 1761, 1765, 1766, 1771, 1773, 1779, 1783, 1786, 1787, 1788, 1789, 1790, 1793 and 1794 editions.

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